#jean pierre kalfon

[littlequeenies]

Bebe Buell in the 1973 short experimental avant-garde short film "La Dolce Vita Grance", playing the role of Rita Hayroth, directed by Anton Perich. Part 1.

Taylor Mead plays Carlo, a famous Italian film producer, and Cyrinda Foxe plays his wife Sophia, a famous Italian movie star. Sophia, who has fired his driver Ninno, has to re-hire the driver in order to keep Carlo sexually excited so he can impregnate Sophia.

Other people starring were Jean Pierre Kalfon, Donna Jordan, Oliviero Toscani, Octavio Escali and Guy Heron.

Video: https://www.youtube.com/watch?v=iNPTtX_BMD4

[genevieveetguy]

The King's Daughters (Saint-Cyr), Patricia Mazuy (2000)

[watchingalotofmovies]

Confidentially Yours

Confidentially Yours    [trailer]

After he's implicated in several murders, a real estate agent hides out from the cops while his intrepid secretary does some private investigating of her own to locate the killer.

Entertaining homage to film noir and Alfred Hitchcock that doesn't take itself too seriously.

Fanny Ardant looks stunning in black and white. You can't take your eyes off of her.

[tina-aumont]

New Improved screencaps are coming!!

Positano (Pierre Clémenti, 1969) screencaps!

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti’s intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and “life-cinema”. For Clémenti, the main purpose of creation was to shake up the usual order of things by rubbing against the unknown. The act of creating would be “to be a virgin before the new, to do everything that one does as for the first time”. If Pierre Clémenti has never sounded his films-notebook life, it is because he has often preferred to confront the reality of live sound during his projections. Pierre Clémenti liked to share his works with his musical friends, to make projections of his films moments of life: they were often accompanied by sound performances.

With

Tina Aumont

Pierre Clémenti

Margareth Clémenti

Balthazar Clémenti

Philippe Garrel

Jean-Pierre Kalfon

Valérie Lagrange

Frédéric Pardo

Nico

Viva

The screencaps here are done by my dear friend Angelica @shiroitaka who has this beautiful instagram and have been published here by the kind permission of Balthazar Clémenti, who holds the copyright. Please do not repost elsewhere. Thank you very much.

[speakingparts]

PIERRE CLÉMENTI CINÉASTE - Positano (1969)

[edwordsmyth]

Love on the Ground, Jacques Rivette (1984)

[a-artgc]

Jacques Rivette

L'Amour fou, 1969.

[kino51]

rue barbare 1984

[itslegribou]

Bulle Ogier et Jean-Pierre Kalfon dans L'Amour fou de Jacques Rivette, 1968.

[elcinelateleymickyandonie]

Trailer de la pelicula L'apprenti salaud 

 Tras un accidente de coche en el que muere su madre, Antoine Chapelote decide cambiar de vida y convertirse en un estafador. Conoce a una joven Caroline que lo ayuda con su estafa. 

 Año: 1977 

Duración: 1h 38min 

Dirección: Michel Deville 

Guión: Frank Neville-Michel Deville 

Reparto Principal: Robert Lamoureux ---------- Antoine Chapelot 

Christine Dejoux ------------ Caroline Nattier 

Claude Piéplu ------------- Etienne Forelon, le notaire de Briançon 

Jacques Doniol-Valcroze ---------- L'adjoint au maire Forelon 

Jean-Pierre Kalfon ----------- Robert Forelon, le directeur du journal 

Claude Marcault ------------ La femme de l'adjoint 

Annick Blancheteau ------------- La patronne de l'hôtel 

Jean-François Dérec ------------- Joseph 

Bernard Lavalette ---------- Roger Desmare, l'avocat d'Antoine 

Roger Desmare Max Vialle ----------- Le brigadier chef 

Louis Falavigna ---------- Le patron de la quincaillerie 

Georges Wilson ----------- Maître Chappardon… 

Jean Abeillé --------------- Le second examinateur 

Jacques Boudet ----------- Le serrurier 

Yveline Brière -------------- L'employée de la caisse d'épargne 

Patrick Brisson -------------- Le clerc amoureux 

André Cassan ---------------- Le troisième examinateur 

Fuente del video: https://youtu.be/i65KMSDvaHU?si=TaRxWnp8kT7Is7WF Sinopsis: https://www.imdb.com/title/tt0075690/

[littlequeenies]

Bebe Buell in the 1973 short experimental avant-garde short film "La Dolce Vita Grance", playing the role of Rita Hayroth, directed by Anton Perich. Part 2.

Taylor Mead plays Carlo, a famous Italian film producer, and Cyrinda Foxe plays his wife Sophia, a famous Italian movie star. Sophia, who has fired his driver Ninno, has to re-hire the driver in order to keep Carlo sexually excited so he can impregnate Sophia.

Other people starring were Jean Pierre Kalfon, Donna Jordan, Oliveriro Toscani, Octavio Escali and Guy Heron.

Video: https://www.youtube.com/watch?v=iNPTtX_BMD4

[lemagcinema]

L'Amour fou: Chef-d'oeuvre post-68 de Rivette

Un film de Jacques Rivette Avec: Bulle Ogier, Jean-Pierre Kalfon, Josée Destoop, Celia, André S. Labarthe, Dennis Berry, Maddly Bamy, Étienne Becker, Yves Beneyton, Liliane BordoniSébastien, metteur en scène de théâtre, vit avec Claire, comédienne. Il monte Andromaque de Racine, elle doit y jouer le rôle d’Hermione. Mais durant les répétitions, un conflit les oppose et Claire quitte soudainement le théâtre. Tandis que Sébastien décide de faire appel à Marta, son ancienne épouse, pour la remplacer, Claire sombre dans le désespoir.

Retrouvez l'article complet ici https://lemagcinema.fr/films/top/lamour-fou-chef-doeuvre-post-68-de-rivette/

[alexlacquemanne]

Juillet MMXXIII

Films

Indiana Jones et le Cadran de la destinée (Indiana Jones and the Dial of Destiny) (2023) de James Mangold avec Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, John Rhys-Davies, Thomas Kretschmann et Boyd Holbrook

Un mariage de rêve (Easy Virtue) (2008) de Stephan Elliott avec Jessica Biel, Ben Barnes, Kristin Scott Thomas, Colin Firth, Kimberley Nixon, Katherine Parkinson et Kris Marshall

Douze Heures d'horloge (1959) de Géza von Radványi avec Lino Ventura, Laurent Terzieff, Hannes Messemer, Eva Bartok, Lucien Raimbourg, Suzy Prim, Gert Fröbe et Guy Tréjan

Dies iræ (2003) d'Alexandre Astier avec Tony Saba, Thomas Cousseau, Lionnel Astier, Alexis Hénon, Nicolas Gabion, Franck Pitiot, Jean-Christophe Hembert, Alexandre Astier, Jean-Robert Lombard et Jacques Chambon

La Vérité sur Bébé Donge (1952) d'Henri Decoin avec Jean Gabin, Danielle Darrieux, Gabrielle Dorziat, Claude Génia, Marcel André, Jacques Castelot et Daniel Lecourtois

Sorcerer (1977) de William Friedkin avec Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri, Peter Capell, Karl John et Friedrich von Ledebur

La moutarde me monte au nez (1974) de Claude Zidi avec Pierre Richard, Jane Birkin, Claude Piéplu, Jean Martin, Danielle Minazzoli, Vittorio Caprioli, Julien Guiomar et Henri Guybet

Mission impossible : Dead Reckoning, partie 1 (Mission: Impossible – Dead Reckoning Part One) (2023) de Christopher McQuarrie avec Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, Vanessa Kirby, Hayley Atwell et Pom Klementieff

Demain ne meurt jamais (Tomorrow Never Dies) (1997) de Roger Spottiswoode avec Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto et Joe Don Baker

Plus dure sera la chute (The Harder They Fall) (1956) de Mark Robson avec Humphrey Bogart, Rod Steiger, Nehemiah Persoff, Mike Lane, Jan Sterling et Max Baer

La Guerre des polices (1979) de Robin Davis avec Claude Brasseur, Claude Rich, Marlène Jobert, Georges Staquet, Jean-François Stévenin, Étienne Chicot, David Jalil, Gérard Desarthe, Jean Rougerie et Jean-Pierre Kalfon

Oppenheimer (2023) de Christopher Nolan avec Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek et Kenneth Branagh

L'Odyssée de Pi (Life of Pi) (2012) d'Ang Lee avec Suraj Sharma, Irrfan Khan, Ayush Tandon, Tabu, Adil Hussain, Ayan Khan, Vibish Sivakumar et Rafe Spall

L'Histoire d'Adèle H. (1975) de François Truffaut avec Isabelle Adjani, Bruce Robinson, Sylvia Marriott, Joseph Blatchley, Ivry Gitlis et Ruben Dorey

Meurs un autre jour (Die Another Day) (2002) de Lee Tamahori avec Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike et Rick Yune

La Tulipe noire (1964) de Christian-Jaque avec Alain Delon, Virna Lisi, Dawn Addams, Akim Tamiroff, Adolfo Marsillach, Robert Manuel et Francis Blanche

Séries

Friends Saison 10

Celui qui n'arrivait pas à se confier - Celui qui allait très bien - Celui qui avait décidé de bronzer - Celui qui transformait le gâteau d'anniversaire - Celui qui écrivait une lettre de recommandation - Celui qui a failli avoir la subvention - Celui qui bluffait l'assistante sociale - Celui qui ratait Thanksgiving - Ceux qui rencontraient la mère biologique - Celui qui se faisait coincer - Celui qui trahissait le pacte - Celui qui jouait le rôle du père - Celui qui baragouinait - Celui qui n'aimait pas la maison - Celui qui faisait tout pour retenir Rachel - Celui qui n'aimait pas les adieux - Ceux qui s'en allaient

Inspecteur Barnaby Saison 10

Danse avec la mort - L'Oncle d'Amérique - La Chasse au trésor - Le Blues de l'assassin - Le Flash de la mort - Le Télescope de la mort

Coffre à Catch

#122 : Finlay prend la trique et Ichtou jette l'éponge ! - #123 : Finlay à domicile pour le titre ECW ! - #124 : Les Survivor Series : Des bangers en veux-tu en voilà! - #125 : Beliaroth INFILTRE l'Univers d'Agius! - #126 : MVP et Matt Hardy: de partenaires à adversaires !

Kaamelott Livre I

Le Duel - L'Invasion viking - La Bataille rangée - La Romance de Perceval - Les Funérailles d'Ulfin - Le Chevalier femme - La Carte - Le Repas de famille - Le Répurgateur - Le Labyrinthe - Heat - Les Tartes aux myrtilles - La Table de Breccan - Le Chevalier mystère - Le Fléau de Dieu - Le Garde du corps - Des nouvelles du monde - Codes et Stratégies - Le Maître d’armes - Le Négociateur - Dîner dansant - Le Sixième Sens - Arthur et la Question - Monogame - Les Défis de Merlin - Le Banquet des chefs - Le Signe - En forme de Graal - Le Repos du guerrier - La Dent de requin - La Taxe militaire - La Queue du scorpion - La Potion de fécondité - L’Interprète - Le Sacrifice - À la volette - De retour de Judée - La Botte secrète - L’Assassin de Kaamelott - Le Trois de cœur - Basidiomycètes - L’Imposteur - Compagnons de chambrée - La Grotte de Padraig - Ambidextrie - Raison d’argent - La Romance de Lancelot - Merlin et les Loups - Le Cas Yvain - L’Adoubement - Arthur et les Ténèbres - Le Zoomorphe - La Coccinelle de Madenn - Patience dans la plaine - Le Oud - Le Code de chevalerie - Létal - Azénor - Le Sort de rage - Les Nouveaux Frères - Enluminures - Haunted - Le Secret de Lancelot - Le Serpent géant - Guenièvre et les Oiseaux - Le Dernier Empereur - Perceval relance de quinze - Le Coup d’épée - La Jupe de Calogrenant - Le Prodige du fakir - Un bruit dans la nuit - Feu l’âne de Guethenoc - Goustan le Cruel - Le Chaudron rutilant - La Visite d’Ygerne - Les Clandestins - La Kleptomane - Le Pain - La Mort le Roy Artu - Le Problème du chou - Un roi à la taverne - Les Fesses de Guenièvre - Le Billet doux - Guenièvre et l’Orage - Eunuques et Chauds Lapins - Choc frontal - Le Forage - Le Discobole - L’Expurgation de Merlin - Les Volontaires - Polymorphie - Décibels nocturnes - La Fête de l’hiver - Gladiator - La Blessure mortelle - Le Dragon des tunnels - Retour de campagne - L’Escorte - Tel un chevalier - La Pâte d’amande - La Fureur du dragon - Vox populi - Unagi - L’Éclaireur - Lacrimosa - La Quête des deux renards - Agnus Dei - Le Tourment - La Retraite - La Vraie Nature du Graal

Affaires Sensibles

Le Tour de France fantôme - Tom Simpson : une funeste passion - Lance Armstrong, le héros déchu - 21 juillet 1969 : objectif Lune

Castle Saison 2

Une rose pour l’éternité - Le Contrat - Le Troisième Homme - Le Batteur battu - Journal d'une dominatrice - Messages par balles - La Mort de Nikki - La Malédiction de la momie

Orgueil et Préjugés

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Raison et Sentiments

Episode 1 - Episode 2 - Episode 3

Spectacles

John Fogerty : Premonition (1997)

Eddy Mitchell au Casino de Paris (1990)

Livres

Pourquoi vous faisez ça ? de Pablo Mira

Gaston , Tome 2 de André Franquin et Jidékeur

Le péplum, un mauvais genre de Claude Aziza

Hero Corp, Tome 2 : Chroniques de Simon Astier, Louis et Stéphane Créty

[lgbtfilmes]

A amizade se transforma em amor, e o amor não correspondido leva a uma obsessão perigosa nesse drama sombrio. Nathalie (Emmanuelle Beart) e Louise (Pascale Bussieres) cresceram juntas e eram amigas íntimas desde a infância, mas enquanto estudavam drama nos seus vinte e poucos anos, sua amizade passou por uma mudança abrupta - enquanto a bela Nathalie gostava de flertar com os homens. nas aulas, o interesse de Louise por sua melhor amiga se transformou em paixão, e quando Nathalie se entregou a um breve encontro com um jovem ator, Louise foi tomada de raiva e ciúmes e tentou se matar. Nathalie foi informada pela família de Louise que ela não queria mais vê-la, e uma década se passou antes que seus caminhos se cruzassem novamente. Louise agora está casada com um homem chamado Nicolas (Sami Bouajila), e uma noite eles vão ao teatro para ver uma produção em turnê de uma nova peça. Para sua surpresa, Louise descobre que a protagonista feminina é interpretada por Nathalie; depois do show, ela volta aos bastidores para dizer ol��, e logo descobre que está tão fortemente atraída por Nathalie como sempre - e que Nathalie está envolvida com Matthias (Dani Levy), o talentoso mas difícil dramaturgo que escreveu e dirigiu a produção. Deixando Nicolas para trás, Louise segue Nathalie para a Dinamarca e é capaz de puxar algumas cordas para conseguir que Nathalie faça uma audição com Walter Amar (Jean-Pierre Kalfon), um diretor teatral conhecido e respeitado. Nathalie logo deixa o programa de Matthias para estrelar a nova produção de Amar Lulu, e Louise se oferece para ajudar Nathalie enquanto ela se prepara para o papel. Nathalie aprecia o apoio e a amizade de Louise, mas ela logo começa a se irritar com a atenção obsessiva de Louise, e se pergunta se a história pode estar se repetindo. La Repetition foi exibida em competição no Festival de Cannes de 2001, com a escritora e diretora Catherine Corsini recebendo uma indicação ao cobiçado prêmio Palma de Ouro. Recomendação: Laerte-se(2017) IMDb

[byneddiedingo]

Jean Yanne and Mireille Darc in Weekend (Jean-Luc Godard, 1967) Cast: Mireille Darc, Jean Yanne, Jean-Pierre Kalfon, Jean-Pierre Léaud, Yves Afonso, Blandine Jeanson. Daniel Pommereulle, Paul Gégauff, Omar Diop, László Szabó. Screenplay: Jean-Luc Godard, based on a story by Julio Cortázar. Cinematography: Raoul Coutard. Music: Antoine Duhamel. "You say you want a revolution / Well, you know, / We all want to change the world." I'm old enough to remember when John Lennon and Paul McCartney were denounced as capitalist reactionaries for that song, especially for lines like "But if you go carrying pictures of Chairman Mao / You ain't gonna make it with anyone anyhow." So watching Jean-Luc Godard's satire Weekend takes me back to the days of a revolutionary fervor that now seems naive, especially since the violent year of 1968 culminated in the election of Richard Nixon, and Mao has been relegated to the ranks of history's tyrants. Still, there's nothing naive about Weekend, which although it now looks less like a great film than a self-indulgent one at least demonstrates the indulgence of a great self, i.e., Jean-Luc Godard's. Is Godard celebrating the revolutionary spirit or sending it up? Weekend ranges from fascinating to stupefying, from bravura filmmaking like the pan along the traffic jam and the repeated 360-degree pan around a farmyard where a pianist is playing a Mozart sonata, to the eye-glazing extended readings from the works of Stokely Carmichael and Frantz Fanon and the drum solo accompanied by a Whitmanesque poem by Lautréamont. Pauline Kael got it right when she called Weekend a "vision of Hell," but what seems most significant now is that it's a hell that lies just beneath us, covered by the veneer of civilization. In Weekend, civilization is showing cracks being widened by unbridled consumerism. And who's to say in the age of climate change denial, abrogation of human rights, and raging corporate globalization that those cracks haven't widened still further? This is a film made by a man who definitely doesn't "know that it's gonna be all right."